Following the line of modern perception of woman’s body and it’s evaluation and the author’s current intimate research, this series of self-portraits tackles the conception of a woman in quasi erotic, widely accepted social and intimately unindentified individual context. She questiones her own eroticism against the existing system of values, while (auto)ironically dwelling on the esthetics imposed by visual – and, thus, intellectual – premises of the society in its perception and treatment of women.